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PHROOM

Kata Geibl

PHROOM // Kata Geibl

PHROOM KATA GEIBLSomething Old, Something New, Something Borrowed, Something Blue 2026 Instagramwebsite   When I was 12 years old, my mother’s frustration with me for not talking that much got to the point of an argument. “Why don’t you speak like any other normal person?” she raised her voice at me. I promptly answered, “Instead […]

Eyes Dazzle as They Search for the Truth // Amin Yousefi

PHROOM // Eyes Dazzle as they Search For the Truth— Amin Yousefi

PHROOM AMIN YOUSEFI Eyes Dazzle as They Search for the Truth website Instagram Published by: Luhz Press Text by: Matteo Cremonesi The Past That Continues to Look “The past is never dead. It’s not even past.” William Faulkner, Requiem for a Nun Every historical photograph contains a quantity of future that we can no longer […]

TJ Chen

PHROOM // TJ Chen

PHROOM TJ CHENInterfaces Cursors 2022–ongoing Instagramwebsite   InterfacesEphemeral digital interfaces engraved into permanent materials. I always view fast-growing digital information with nostalgia. Things that have not yet been perceived have already passed by. Digital interface is a specific kind of information with a unique format that perhaps only belongs to the time we live in. […]

The Fabric of Memory // Iva Kontic

PHROOM // The Fabric of Memory. Costume, History and the Cinematic Image in The Colour of Pomegranates. Iva Kontic

PHROOM THE FABRIC OF MEMORYCostume, History and the Cinematic Image in The Colour of Pomegranates10 September 2024Iva Kontic Instagram In The Colour of Pomegranates (1968), Sergei Parajanov’s avant-garde film on the life of the eighteenth-century Armenian poet Sayat-Nova, costume is never mere decoration. I explore some of the key characteristics and functions of costume design […]

Notes on Cinema // Iva Kontic

PHROOM // Notes on Cinema, Iva Kontic

PHROOM NOTES ON CINEMAMedium, Politics, Experience8 November 2025Iva Kontic Instagram Three short reflections on what cinema is and does. Rethinking Cinema as Medium: A Deleuzian Approach In his theorisation of cinema as a medium, Gilles Deleuze deals with cinema at the level of image—as it appears to us—rather than analysing the cinematic medium as a […]

Down by the Hudson // Caleb Stein

PHROOM // Caleb Stein, Down by the Hudson

PHROOM CALEB STEIN Down by the Hudson website Instagram Published by: Palo Gallery Press Text by: Matteo Cremonesi Down by the Hudson [2013-2025] is published by Palo Gallery Press, with text contributions by Amitava Kumar, Anita N. Bateman, Matt Carey-Williams, and an interview with Daniel Wolff. A solo exhibition of Down by the Hudson opens […]

Alice Jankovic

PHROOM // Alice Jankovic

PHROOM ALICE JANKOVICGreen Paradox Instagramwebsite   The Green Paradox project was born during the Swit artist residency in Gothenburg in September 2025 and developed around the figure of Scheele Green, an 18th-century pigment of extraordinary brilliance but intrinsically toxic. Discovered by chemist Carl Wilhelm Scheele, who studied and worked at the ancient pharmacy Apoteket Enhörningen […]

Rosie Clements

PHROOM // Rosie Clements

PHROOM ROSIE CLEMENTS Instagramwebsite   In her new body of work, Rosie turns the camera away from other people and toward objects, most of them consumable, and most of them hers: a vibrator, high heels, a Zoloft prescription with her legal name legible on the bottle, her husband’s cigarettes, a thong, her wedding ring, the […]

Michael Northrup

PHROOM // Michael Northrup

PHROOM MICHAEL NORTHRUP Instagramwebsite   I love irony… not exclusively, but I have a special appreciation for it.  And it underlies a lot of my work. I must have been especially influenced by my mother who would laugh at news stories like, “Santa loses fingers while stepping off helicopter to wave at kids”.  During the […]

Yunping Li

PHROOM // Yunping Li

YUNPING LI huí jiā website Instagram Selected from GETXOPHOTO  → info 回 (huí) translates as “circle,” “time,” “to go back,” “to turn around,” and/or “to respond,” and 家 (jiā) as “home” and/or “family.” Together, they mean homecoming, and this return represents an autobiographical journey through my identity-search processes. This is an ongoing project (2018-) that […]

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