I’ve slowly become aware that i’m one of the few women of my peers who’s never had a so-called “tweakment”—botox and fillers for lips, cheeks or brows. Salons offering these treatments seem to be popping up on every high street, with them even available at dentists and hairdressers.
I wanted to find out why so many women are turning to these procedures—personally and culturally. What is the effect of this newfound ubiquity on those choosing to have them and on future generations of young women?
Instinctively i assumed that this trend was shaped by patriarchal, unrealistic societal expectations. But as I began to talk to women, a more complex picture emerged. Rather than conformity, this was often about self-determination. many felt “empowered”. Tweakments may reflect mainstream beauty ideals but so do choices around body hair removal, make-up and hair dye, none of which we judge as harshly.
Arguably, accessibility and affordability democratises what was once an unseen marker of privilege. And yet, because stigma remains, they’re rarely discussed publicly or even privately. This secrecy can lead to medical and emotional health risks.
I was fascinated by the breadth of thinking and introspection, from the women I met. I don’t think this project can, or should, reach a definitive conclusion. Instead, I’d like it to open a conversation. On the surface, tweakments are about appearance. But their deeper impact is multi-faceted and nuanced, with wide-reaching consequences.
Sophie Harris-Taylor (b.1988). Documenting the personal lives and experiences of her own and others, Sophie’s work is effortlessly truthful, approached with a sensitivity and confidence. She is renowned for her images created with natural and ambient light sources, which lend her work an unusual softness and depth. Typically portraiture based, with some elements of place and surrounding, she uses people to express her own pre-occupations and concerns. Although seemingly diverse in subject matter and to an extent documentary, there is consistently some element of her own
vulnerability. Regardless of content, Harris-Taylors’s work is crucially bound together by aesthetics, always seeking to in some way glorify that which is not conventional.
Sophie’s had four books published, Sisters MTWTFSS (Chapter 1 & 2) and MILK, she’s had two solo exhibitions, MTWTFSS in 2016, and Epidermis in 2019. Sophie has been selected for the Taylor Wessing Prize, Creative Review Photography Annual, the BJP Portrait of Britain and Portrait of Humanity amongst others.
Sophie lives in London and received both her MA and BA (Hons) in Photography from Kingston University.