Presented in their original form of negatives, the images themselves become objects, hyper-objects and narrative icons that the effect brought about by reading the X-ray camera enhances, suspending illuminated things on the empty and gray background.
Disturbing and beautiful the visual path to which we are invited crosses the remains of what humanity and their events have produced and abandoned, the objects, the images of weapons or objects of desire are presented as artifacts, documents submitted to our gaze as an exam.
Things or evidence are often displayed next to a three centimeter referential ruler in which the numbers 17, 18 and 19 appear, a necessity that of the measurement that refers to the scientific and bureaucratic, non-aesthetic character, for which the same images were conceived.
These images, conceived and characterized by the signs of bureaucratic functionality, are meta objects, living elements of a work of archiving capable of evoking a past and of events in front of which our impression can only capitulate as before the presence of signs capable of say and testify, perhaps better than the word, the wide spectrum of human destinies.