Archaic creation myths, astronomical reminiscences, celestial drawings, chemicals for painting, are some of the elements used in the three chapters dedicated to Domestic Cosmogonies. Hypotheses on the origin are imagined through the construction of domestic sets, where small triggers give rise to reactions, presented as in a popular manual or a synthetic and partial breviary.

Hands used for improvised scientific experiments but exact in their principles, they practice short scenes immersed in the total black of a pre-cosmic void, filled with the amplified sounds of the processes underway.